Jenny Saville’s ‘Juncture’ Leads Works by Pioneering Female Artists in Sotheby’s Auction

David Hockney, Celia II, 1984, est. £600,000-£800,000

This Spring, Sotheby’s Contemporary Art Evening Auction will open for the first time with seven consecutive works by female artists which speak to the theme of corporeality, female embodiment, and the treatment of the female form in traditional art historical dialogues. Speaking about the auction, Emma Baker, Head of Sotheby’s Contemporary Art Evening Sale, said: ‘This year’s sale opens with number of powerful works by female artists which, together, offer a new and compelling narrative about the perception of women in art – as both subject and author. From a wonderfully subversive totem by Rebecca Warren, whose ironically voluptuous female-centric sculptures I’ve admired for a very long time, to Jenny Saville – whose unshakeable feminist perspective has been absolutely pivotal to the evolution of the art world – it was the natural choice for me to place these artists at the forefront of the sale, crowned by the appearance of Juncture just months after Saville achieved the highest price for a living female artist at Sotheby’s”.

Jenny Saville, Juncture, 1994, est. £5,000,000-7,000,000

The sale will comprise a total of 68 lots, ranging from a private collection of parodic works by rebellious German duo Albert Oehlen and Martin Kippenberger, to explosive works on paper by Jean-Michel Basquiat, an iconic pop canvas by Roy Lichtenstein, and the inexorable gaze of Lucian Freud. Seventy percent of the lots will appear on the market for the first time, with 35 percent heralding from five esteemed private collections including that of Marc Jacobs, David Teiger and Louis J.C. Tan.


Jean Michel Basquiat, Untitled (Portrait of Steven Lack), 1981, est. £800,000-£1,200,000

The colossal nude titled Juncture (Lot 5, 1994) by British artist Jenny Saville will star in the forthcoming sale. The giantess painting will be offered with an estimate between £5,000,000-7,000,000, the highest pre-sale estimate ever placed on a work by a living female artist. A paradigm of the fleshy female body in paint and Saville’s principal subject, the work was born from the artist’s study of twentieth-century feminist theory and the male-dominated canon of traditional nude portraiture. Towering three metres tall, the painting celebrates the female body in a way that squares up to the depictions of women in the traditional art historical canon, and to modern society’s obsession with ageless perfection and petite symmetrical proportion.

Roy Lichtenstein, Vicki! I–I Thought I Heard Your Voice!, 1964, est. £5,000,000-£7,000,000

The Day sale will follow, and will be punctuated by the first self-contained, generative work of Artificial Intelligence ever to appear on the market. Created by German artist Mario Klingemann, Memories of Passersby I uses artificial intelligence to create a never-ending stream of new portraits inspired by the Old Masters. Heralding the latest development in the rapidly emerging field of AI Art it will be offered with an estimate of £30,000-40,000.

Lucio Fontana, Concetto Spaziale, Attese, 1966, est. £2,800,000-£3,200,000

The exhibition will be open to the public from March 1-5, ahead of the Evening Auction on March 5 (catalogue) and Day Auction on March 6 (catalogue).

Sotheby’s is at 34-35 New Bond Street, London W1S 2RT,

See also:

Rare Lucian Freud Portrait Expected to Fetch Millions At Sotheby’s Auction

Highlights: Sotheby’s Russian Art Week

Sotheby’s to Offer Three Paintings from the Georgia O’Keeffe Museum








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