Everything is Awesome – Largest Lego Artwork by Ai Weiwei at the Design Museum

Photo © Ela Bialkowska OKNO studio

In advance of his first ever design-focused exhibition, opening in April 2023, the Design Museum, London has unveiled a major new work by celebrated global artist Ai Weiwei – and it’s constructed entirely of Lego.

The work, a recreation of one the most famous paintings by French Impressionist Claude Monet, is the largest Lego artwork Ai Weiwei has ever made. Titled Water Lilies #1, the work is over 15m in length and will span the entire length of one of the walls in the Design Museum gallery.
It is made from nearly 650,000 studs of Lego bricks, in 22 colours.

This vast new work will be seen in public for the very first time when the exhibition Ai Weiwei: Making Sense opens on Friday 7 April. It is his biggest UK show in eight years.

Water Lilies #1 recreates Monet’s famous painting, Water Lilies (1914-26), a monumental tryptich which is currently in the collection of the Museum of Modern Art in New York.


In the original painting, Monet depicts one of the lily ponds in the gardens of his home in Giverny near Paris. It is an image that has become world-famous for its depiction of nature’s tranquil beauty. However, the pond and gardens were a man-made construct, designed and created by Monet himself at the turn of the 20th century. He had the nearby river Epte partially diverted in order to create this idealised landscape.

Photo © Ela Bialkowska OKNO studio

By recreating this famous scene, Ai Weiwei challenges our ideas of reality and beauty. The new image has been constructed out of Lego bricks to strip away Monet’s brushstrokes in favour of a depersonalised language of industrial parts and colours. These pixel-like blocks suggest contemporary digital technologies which are central to modern life, and in reference to how art is often disseminated in the contemporary world. Challenging viewers further, included on the right-hand side of Ai’s version is a dark portal, which is the door to the underground dugout in Xinjiang province where Ai and his father, Ai Qing, lived in forced exile in the 1960s. Their hellish desert home punctures the watery paradise.

See also: Waddington Custot’s Photorealist Visions

Ai Weiwei has been using Lego bricks in his work since 2014, when he used them to produce portraits of political prisoners. But Water Lilies #1 is his largest ever creation in this medium.

Water Lilies #1 will be seen alongside another major new Lego artwork by Ai Weiwei, which is also making its international debut at the Design Museum. First announced in January, Untitled (Lego Incident) is part of a series of five expansive ‘fields’ where hundreds of thousands of objects will be laid out on the gallery floor. In this field, visitors will see thousands of Lego blocks which were all donated to the artist by members of public from around the world, in response to Lego briefly refusing to sell their products to him in 2014. These donated bricks are presented at the Design Museum for the first time as a fully-formed artwork.

Ai Weiwei: Making Sense will be the artist’s very first exhibition to focus on design and architecture. It sees Ai using design and the history of making as a lens through which to consider what we value.


Other highlights of the exhibition inlcude dozens of objects and artworks from throughout Ai Weiwei’s career that explore the tensions between past and present, hand and machine, precious and worthless, construction and destruction, such as his Han dynasty urn emblazoned with a Coca-Cola logo, which epitomises these clashes.

A number of examples of Ai’s ‘ordinary’ objects, where he has transformed something useful into something useless but valuable will also be shown. These include a worker’s hard hat cast in glass which becomes at once strong and fragile, and a sculpture of an iPhone that has been cut out of a jade axe-head.

Large-scale Ai Weiwei works will also be installed outside of the exhibition gallery, in the museum’s free-to-enter spaces as well as outside the building.

Photo © Ela Bialkowska OKNO studio

Justin McGuirk, Chief Curator at the Design Museum and curator of Ai Weiwei: Making Sense said: “Several of the works in this exhibition capture the destruction of urban development in China over the last two decades. With Water Lilies #1 Ai Weiwei presents us with an alternate vision – a garden paradise. On the one hand he has personalised it by inserting the door of his desert childhood home, and on the other he has depersonalised it by using an industrial language of modular Lego blocks. This is a monumental, complex and powerful work and we are proud to be the first museum to show it.”

Ai Weiwei said “Our world is complex and collapsing towards an unpredictable future. It’s crucial for individuals to find a personalized language to express their experience of these challenging conditions. Personalized expression arises from identifying with history and memories while creating a new language and narrative. Without a personal narrative, artistic narration loses its quality. In Water Lilies #1 I integrate Monet’s Impressionist painting, reminiscent of Zenism in the East, and concrete experiences of my father and me into a digitized and pixelated language. Toy bricks as the material, with their qualities of solidity and potential for deconstruction, reflect the attributes of language in our rapidly developing era where human consciousness is constantly dividing.”

Ai Weiwei: Making Sense runs at the Design Museum from 7th April to 30th July 2023. Tickets are available to pre-book now.


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