Art Focus399 Days in Yorkshire With Rachel Kneebone

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Yorkshire Sculpture Park is presenting 399 Days by Rachel Kneebone in the unique environment of its 18th-century Chapel from July 10th.

The artist’s most ambitious sculpture to date, 399 Days is named after the length of time it took to make. Over five metres in height, it comprises 63 exterior panels. Monumental in scale yet exquisite in detail, it echoes historic sculptures such as Trajan’s Column, a plaster cast of which is displayed in the sculpture court of the V&A, where 399 Days was also shown
from 2017-2019.

399 Days also coincides with an exhibition of her work at White Cube Masons Yard in London from 8th July.

(Top of page: Rachel Kneebone, 399 Days, 2012-13, detail)

Rachel Kneebone, 399 Days, 2012-13, Porcelain and mild steel, 540 x 287 x 283 cm
Courtesy: a European Collection. Photograph: Jonty Wilde

Rachel Kneebone was born in 1973 in Oxfordshire and lives and works in London. Her sculptures do not depict the full human form, but allude to the body through the use of a mass of legs appearing to be in motion, often shown in relation to organic forms such as flowers and orbs.

See also: Simon Gudgeon: Living and Breathing Sculpture

Delicate

Clay, and its more refined form of porcelain, have been used for thousands of years to make objects for the home and for display. Rachel Kneebone has developed her own unique form of sculpture, working primarily in porcelain to create highly complex and delicate objects.

See also: Lucy Kent and the Magic of Landscape

Rachel Kneebone, 2017 Photo: David Bebber

Kneebone does not work with assistants but creates each work herself by hand and has grown to accept and appreciate the sometimes unpredictable nature of her chosen material and the firing process: “I am quite reassured when a work explodes because I think that means I am pushing the boundaries of the material. My work moves around metamorphosis, change and simultaneous states, so nothing about it is fixed.”

Rachel Kneebone, Whorl I, 2020, Courtesy: the artist and White Cube
Photograph: Jonty Wilde

Insight

The contemplative space of the Chapel allows for another view of 399 Days at height from the balcony. Here, drawings from the artist’s Ovid in Exile (2016) series show different aspects of her practice as well as the relationship between works on paper and sculpture. The series refers to the famous Roman poet Ovid who was banished from Rome in 8 CE, for reasons that have become shrouded in mystery and supposition. Kneebone was drawn to the episode as an insight into the human condition, the creative and destructive impulses.

For the YSP exhibition, Kneebone has made new sculptures, where motifs such as tendrils, folds, ribbons and spheres are fluidly interwoven creating a vine-like structure which protrudes from the wall.

Rachel Kneebone, Roll, 2017, Porcelain, Corian and adhesive. 25 x 21 5/8 x 27 15/16 in. Photo: Stephen White, Courtesy White Cube

The sculpture Roll (2017) is shown in the dark-wood panelled vestry. The energetic, organic elements of the sculpture suggest both movement and resistance, amplified by its confined space and in contrast to its static and apparently decaying pedestal. Its tomb-like form and ornate growth resonate with the Chapel as a place that historically marked key life events from the cradle to the grave.

Mould-breaking

The exhibition is supported by White Cube Gallery and is key in YSP’s 2021-22 artistic programme, which is dominated by women artists, and includes Joana Vasconcelos in the Underground Gallery and open air, and the Arts Council Collection exhibition Breaking the Mould: Sculpture by Women since 1945 in Longside Gallery.

Rachel Kneebone: 399 Days
Chapel, from 10th July 2021
Yorkshire Sculpture Park, West Bretton, Wakefield WF4 4LG
Near Wakefield and Barnsley – M1 Junction 38
+44 (0)1924 832631 | ysp.org.uk | @YSPsculpture
Open seven days a week, except Christmas Eve and Christmas Day
Booking essential, via ysp.org.uk

Yorkshire Sculpture Park (YSP) is one of the finest places in Europe to experience modern and contemporary sculpture in the open air. It hosts work by some of the world’s most well-known artists from Yorkshire-born Henry Moore, Barbara Hepworth and Damien Hirst to Phyllida Barlow, Kalliopi Lemos, Gavin Turk, Ai Weiwei and many other major international and emerging artists across 500 acres of 18th century-designed landscape and six indoor galleries.

See also: Susie MacMurray’s Striking Sculptures On Show at Pangolin London

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